Tag Archives: Dharmasota Chakra

Technique #3: Chakra Stimulation

Question: You just referred to the Sugata-garbha; you also mention in Dhyana Technique #3, or the Chakra Stimulation Technique, that the Sugata-garbha Chakra is the “seat of knowledge from which the subtle energy flow of Unborn Light Reiki empowers one to remain balanced and focused in the Recollective Resolve…and that its quality is one of Primordial, maternal joy.” Are you saying then, in reference to the conclusion of the Binzuru-Ho Technique that one is actually merging with this Chakra in order to effectively stifle the agitation of the skandhas, much like a mother would quieten a troubled child? read more

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Second Scrutiny

TWO: SECOND SCRUTINY

After the exorcism Vairocana faded from view as Mahasiddha Acintapa experienced a fine spiritual vibration in his throat; Amitābha Buddha emerged from his Dharmasota (throat) Chakra and appeared on an expanding eight-petalled lotus; he addressed the assembly thus:  read more

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The Land of the Setting Sun: Bardo 3, Amitabha

Of the Five Dhyani Buddhas, the one that stands out prominently in terms of popular-following and devotion is Amitabha Buddha. Tradition asserts that Bodhisattva Dharmakara proclaimed that when he attained Buddhahood (Amida Buddha), that anyone who should call upon his name would achieve entrance into his Western Pure Land Province. His mantra (one popular variable being Namu Amida Butsu that is mantra-like [constant repetition]] in scope) chanted by untold numbers throughout the millennia, intoned frequently assures salvific union with Amida’s Buddha-land. The mantra is a wonderful medium to enter into this union; the corresponding Chakra is the Dharmasota (see Bardo 1 part 5, for breakdown of the Chakras as seen in Light of the Unborn), or throat Chakra. This makes perfect sense since it is the location through which actual intonation occurs. One difference, though, it terms of the Dharmasota realization is that this is activated through the sound (Parato ghosa) of deathlessness; so the actual “intonation is symbolic” of a greater-realization—meaning not heard in the conventional sense of hearing, but rather ineffably experienced in the very Heart of Suchness—and is not, “in itself”, the Source of the salvific-grace. There is a real source of consternation here since it is automatically assumed that even just lazily uttering Amida’s name is all one need do to achieve liberation from samsara. Dietrich Bonhoeffer would refer to this as “Cheap Grace”—without that cost of disciplined discipleship. A Lankavatarian understanding would concur with Bonhoeffer. Liberation from the cursed and diurnal Wheel of Samsara is not assured through some cheap-trick of the vocal-chords, but rather a disciplined assent through a ten-fold stage of Mind development. read more

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